The next thing to come for me at the moment- Cabinet Exhibition at Islington Arts Factory. I have been selected along the other 39 artists to showcase our works for a week. I couldn't be happier to get another way of telling and droping my name and showcasing my work at the same time, especially when I am desperate to get into creative working.
So, Cabinet Exhibition is a group show that presents the work of several
international emergent artists. Based on the concept of the early modern
‘Cabinets of Curiosities’, this exhibition draws together painting,
sculpture, drawing, photography, video and other more contemporary
practices, all arranged in a unconventional display. The result is a
sort of arrhythmic mosaic intended to present a panoramic view of art
production nowadays.
This exhibition aims to be an immersive experience for the curious
visitor who will face an unorthodox eclectic selection of artworks, from
street art brought into the gallery to paintings on ham and visual
soundscapes, amongst others. The dialogue between the artworks displayed
will favour new analogies and comparisons, leading the visitors to make
fresh associations and come out with new ideas.
The exhibition will be held at the Islington Arts Factory from the 14th-21st September 2012.
2 Parkhurst Road
Holloway,
London,
N7 0SF
Wednesday, 22 August 2012
Friday, 17 August 2012
Thursday, 16 August 2012
Corinne Vionnet: Collective Memories
Switzerland-based Corinne Vionnet is our guide to the world's most
famous landmarks, monuments millions have visited before. Her art is
created not by acrylic, oil, or watercolor, each piece is made by
combining hundreds of tourist photos into one. After conducting an
online keyword search and sifting through photo sharing sites, this
Swiss/French artist carefully layers 200 to 300 photos on top of one
another until she gets her desired result.
Look closely and you'll see dim shadows, vague silhouettes that aimlessly wander around. More than anything, these haunting figures make us think about our own fading memories and the inevitable passage of time. "Why do we always take the same picture, if not to interact with what already exists?," Vionnet asks. "The photograph proves our presence. And to be true, the picture will be perfectly consistent with the pictures in our collective memory."
"This work is intrinsically linked to the people who took these pictures," Vionnet says. "The collaboration is obvious, but it is without their knowledge. These pictures are on the Internet, to be seen by any eventual visitors. I am just one of those visitors. It is the sheer quantity of these almost identical pictures that gave me the idea of superimposing them. I do not think I would have had the idea if I had made all these pictures of the same places myself. Anyway, the work would loose its meaning."
Source here
Look closely and you'll see dim shadows, vague silhouettes that aimlessly wander around. More than anything, these haunting figures make us think about our own fading memories and the inevitable passage of time. "Why do we always take the same picture, if not to interact with what already exists?," Vionnet asks. "The photograph proves our presence. And to be true, the picture will be perfectly consistent with the pictures in our collective memory."
"This work is intrinsically linked to the people who took these pictures," Vionnet says. "The collaboration is obvious, but it is without their knowledge. These pictures are on the Internet, to be seen by any eventual visitors. I am just one of those visitors. It is the sheer quantity of these almost identical pictures that gave me the idea of superimposing them. I do not think I would have had the idea if I had made all these pictures of the same places myself. Anyway, the work would loose its meaning."
Source here
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